Just published “Panoramic, Macro and Micro Multispectral Imaging An Affordable System for Mapping Pigments on Artworks” Journal of Conservation and Museum Studies, 13(1): 6, 1–17, 2015.


Panoramic, Macro and Micro Multispectral Imaging An Affordable System for Mapping Pigments on Artworks

A. Cosentino “Panoramic, Macro and Micro Multispectral Imaging: An Affordable System for Mapping Pigments on Artworks” Journal of Conservation and Museum Studies, 13(1): 6, 1–17, 2015.

pigments checker v2 vsPigments Checker is for photographers, conservators and scientists interested in technical documentation of paintingss. It has 54 swatches of historical pigments designed for infrared photography, ultraviolet photography and other technical photographic methods for art examination. Check it out!

Pigments Checker is a collection of 54 swatches of his­tor­i­cal pig­ments that have been applied using gum ara­bic as a binder on a cel­lu­lose and cot­ton water­color paper, acids and lignin free. This paper is not treated with opti­cal bright­en­ers, it’s slightly UV flu­o­res­cent, and it reflects IR. Two cross-hair lines, 0,2 mm (ver­ti­cal) and 0.4 mm (hor­i­zon­tal) are printed on each swatch of paper before the appli­ca­tion of paint, in order to have a means to eval­u­ate the pig­ments’ trans­parency in the IR and IRR imag­ing. Among all the pig­ments and their vari­eties ever used in art these pig­ments col­lec­tion select the most used ones from antiquity to early 1950’.

Our other papers on multispectral imaging:[ws_table id=”12″]

Multispectral imaging systems are used in art examinations to map and identify pigments, binders and areas of retouching. A monochromatic camera is combined with an appropriate wavelength selection system and acquires a variable number of spectral images of a scene. These images are then stacked into a reflectance imaging cube to reconstruct reflectance spectra from each of the images’ pixels. This paper presents an affordable multispectral imaging system composed of a monochromatic CCD camera and a set of only 12 interference filters for mapping pigments on works of art and for the tentative identification of such pigments. This work demonstrates the versatility of this set-up, a versatility enabling it to be applied to different tasks, involving examination and documentation of objects of varying size. Use of this multispectral camera for both panoramic and macro photography is discussed, together
with the possibilities facilitated from the coupling of the system to a stereomicroscope and a compound microscope. This system is of particular interest for the cultural heritage sector because of its hardware simplicity and acquisition speed, as well as its lightness and small dimensions.