Early 20th-century Persian manuscript

Early 20th-century Persian manuscript with a drawing attached over the text

Early 20th-century Persian manuscript with a drawing attached over the text

This image shows a page from an early 20th-century Persian manuscript, likely produced in India and written in Persian or Urdu script (both used the Arabic alphabet).

At the center of the page is a circular miniature painting, executed in bright opaque pigments typical of late Mughal or regional Indo-Persian styles. It depicts a richly dressed female figure — possibly a goddess, celestial being, or symbolic personification — riding a large white bird, perhaps a dove or mythical creature. She wears an ornate crown or headdress and colorful garments with red and blue patterns, and she raises one hand in a gesture that might suggest blessing or speech.

The circular painting is bordered by a dark blue band decorated with floral or star-shaped motifs in orange, white, and green, giving the image a medallion-like appearance. Around this medallion, the handwritten text continues uninterrupted, suggesting the image was added later as an embellishment rather than being an integral part of the manuscript’s original design.

The calligraphy appears to be poetic or literary rather than religious — perhaps verses or moral tales, common in manuscripts from that period. The manuscript (two pages total) would have been part of a larger codex originally.
CHSOS Collection – item #17

indian manuscript

Technical Photography

Transmitted Infrared Photography (IRT), when applicable, is far more powerful than standard infrared (IR) imaging. This case study illustrates the difference vividly.

We examined an early 20th-century Persian manuscript with a later drawing attached over the text, partially obscuring it. While the IR image reveals some of the hidden writing, the IRT image—captured with the SALVO Imaging Panel—uncovers much more of the underlying text.

Other imaging methods also contribute valuable insights. For instance, the UVF image highlights the strong, characteristic fluorescence of the orange pigment, which is particularly useful for identification.

This case study underscores a key point: the strength of technical photography lies in the sheer variety of images produced. Many may reveal little, but some often expose remarkable and unexpected details.

manuscript with a drawing attached over the text - visfolio with a drawing attached over the text - ir
manuscript with a drawing attached over the text - visfolio with a drawing attached over the text - irt
manuscript with a drawing attached over the text - visfolio with a drawing attached over the text - uvf

Learn Technical Photography for Art Examination

Technical Photography is one of the most powerful—and often overlooked—tools for the scientific examination of art and archaeology. If you are a conservator, scientist, or art collector and you are not yet familiar with this method, it is truly a missed opportunity. Using simple, affordable equipment and a clear methodology, Technical Photography allows you to reveal underdrawings, retouchings, material differences, and conservation issues in a completely non-invasive way. Far from being complex or inaccessible, it is an easy entry point into scientific analysis. In many cases, Technical Photography represents the first essential step toward a deeper understanding of artworks and archaeological objects.



Training 2026

Scientific Art Examination – Resources:
Getty Conservation Institute (GCI) – USA
The British Museum – Scientific Research Department – UK
Scientific Research Department – The Metropolitan Museum of Art, New York, USA
C2RMF (Centre de Recherche et de Restauration des Musées de France) – France
Rijksmuseum – Science Department – Netherlands