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Infrared Fluorescence Photography (IRF)
Infrared Fluorescence (IRF) photography is a valuable method for the examination of works of art and archaeological objects. As part of technical photography documentation, it enables the detection and mapping of materials that exhibit luminescence in the near-infrared region. In particular, it is highly effective for identifying pigments such as Egyptian blue, which exhibits a strong and characteristic infrared emission, as well as cadmium-based pigments.
Because this emission is invisible to the human eye, IRF photography requires cameras sensitive to near-infrared radiation, along with appropriate filtering to isolate the fluorescent signal from reflected light. The technique provides a rapid, non-invasive means of locating and distinguishing specific materials, making it especially useful for condition assessment, pigment identification, and the study of artistic techniques and conservation interventions.
Table of Contents
Infrared Fluorescence phenomenon
Some molecules and minerals—including a number of mineral pigments—exhibit infrared fluorescence (IRF). This phenomenon is analogous to ultraviolet fluorescence, in which excitation by ultraviolet radiation produces an emission in the visible range. In infrared fluorescence, by contrast, excitation occurs within the ultraviolet or visible region of the spectrum, and the material re-emits radiation at longer wavelengths, in the near-infrared.
This behavior arises from the interaction of light with the electronic and vibrational energy states of the material, leading to a characteristic luminescent response. Because the emitted radiation lies beyond the visible range, infrared fluorescence is not perceptible to the human eye and must be recorded using cameras sensitive to near-infrared wavelengths.
In the context of art examination, IRF can provide valuable information for the identification of specific pigments and materials, as different substances exhibit distinct fluorescence responses. It is therefore a useful complementary technique within technical photography, alongside methods such as ultraviolet fluorescence and infrared reflectography.
Experimental setup
This photographic method can be performed using either the ALICE (VIS-only) lamp or the FABRIZIO UV lamp. Accordingly, we refer to the two approaches as IRF-VIS and IRF-UV, indicating whether visible or ultraviolet excitation is employed. The UV lamp is recommended to enhance the infrared emission of cadmium-based pigments, whereas the ALICE lamp is well suited for the detection of Egyptian blue.
Applications for Art examination
Among historical pigments, Egyptian blue, cadmium red, and cadmium yellow are notable for exhibiting infrared fluorescence. As its name suggests, Egyptian blue is the synthetic blue pigment widely used by ancient Egyptian and later Roman artists. Owing to its strong and characteristic infrared emission, infrared fluorescence photography is extensively employed in archaeology to detect even minute traces of this pigment, often invisible to the naked eye.
This capability has proven particularly valuable for identifying residual decoration on wall paintings, sculptures, and artifacts where the visible color has faded or been lost. Similarly, cadmium-based pigments can also be detected through their infrared fluorescence, although their response may vary depending on the excitation source and composition. Overall, IRF imaging provides a sensitive, non-invasive tool for locating and mapping these materials in both artistic and archaeological contexts.
Mapping different inks
Inks with different compositions can be distinguished and spatially mapped based on their response in IRF photography . This video presents the experiment and highlights the effectiveness of the method.
ADVANCED IRF with ANTONELLO Multispectral Imaging System
Identify a wider range of pigments with advanced Infrared Fluorescence Photography. Discover the capabilities of ANTONELLO, the multispectral imaging system designed for in-depth analysis. Equipped with six infrared filters, it enables enhanced pigment differentiation and deeper insight into your artifacts.
This video documents the experiment discussed above and demonstrates the method’s effectiveness in distinguishing materials.
Resources
| Publications on Infrared Fluorescence photography (IRF) |
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| A. Cosentino “Infrared Technical Photography for Art Examination” e-Preservation Science, 13, 1-6, 2016. |
| A. Cosentino “Identification of pigments by multispectral imaging a flowchart method” Heritage Science, 2:8, 2014. |
| A. Cosentino, S. Stout “Photoshop and Multispectral Imaging for Art Documentation” e-Preservation Science, 11, 91–98, 2014. |
| A. Cosentino “Effects of Different Binders on Technical Photography and Infrared Reflectography of 54 Historical Pigments” International Journal of Conservation Science, 6 (3), 287-298, 2015. |
Learn Technical Photography for Art Examination
Technical Photography is one of the most powerful—and often overlooked—tools for the scientific examination of art and archaeology. If you are a conservator, scientist, or art collector and you are not yet familiar with this method, it is truly a missed opportunity. Using simple, affordable equipment and a clear methodology, Technical Photography allows you to reveal underdrawings, retouchings, material differences, and conservation issues in a completely non-invasive way. Far from being complex or inaccessible, it is an easy entry point into scientific analysis. In many cases, Technical Photography represents the first essential step toward a deeper understanding of artworks and archaeological objects.
Scientific Art Examination – Resources:
Getty Conservation Institute (GCI) – USA
The British Museum – Scientific Research Department – UK
Scientific Research Department – The Metropolitan Museum of Art, New York, USA
C2RMF (Centre de Recherche et de Restauration des Musées de France) – France
Rijksmuseum – Science Department – Netherlands






