Infrared Fluorescence Photography (IRF)
Infrared Fluorescence photography is a useful method for the examination of works of art and archaeology. It is part of the Technical Photography documentation and allows to detect Egyptian blue and cadmium-based pigments.
Infrared Fluorescence phenomenon
Infrared Fluorescence is observed in a few rare minerals but also in a very common molecule, chlorophyll. Chlorophyll emits infrared fluorescence in the very near infrared. Indeed, its fluorescence is brighter in the IRF 850 image – where the 850 nm filter was used, allowing through the closest infrared. Notice that, on the other hand, the infrared fluorescence emission of the cadmium red swatch is almost unchanged since it happens at a longer wavelength (over 850 nm ).
This photographic method can be made using ALICE (VIS-only) lamp or FABRIZIO UV lamp. We call the methods, respectively, IRF-VIS and IRF-UV, indicating that we are using the ALICE lamp or the FABRIZIO lamp. The UV lamp is recommended to increase the emission from cadmium pigments while the ALICE lamp is fine for Egyptian blue.
Applications for Art examination
Experimental Set up
Applications
Infrared Fluorescence Photography for mapping different inks.
We can distinguish and map different inks, see this experiment!
ADVANCED IRF with ANTONELLO Multispectral Imaging System
Identify more pigments with ADVANCED Infrared Fluorescence Photography
Discover the power of ADVANCED Infrared Fluorescence Photography with ANTONELLO, The Multispectral Imaging System. Our 6 Infrared filters allow you to identify more pigments and unlock the secrets of your artifacts. Get yours today and start exploring!
References
Publications on Infrared Fluorescence photography (IRF) |
---|
A. Cosentino "Infrared Technical Photography for Art Examination” e-Preservation Science, 13, 1-6, 2016. |
A. Cosentino “Identification of pigments by multispectral imaging a flowchart method” Heritage Science, 2:8, 2014. |
A. Cosentino, S. Stout "Photoshop and Multispectral Imaging for Art Documentation” e-Preservation Science, 11, 91–98, 2014. |
A. Cosentino "Effects of Different Binders on Technical Photography and Infrared Reflectography of 54 Historical Pigments” International Journal of Conservation Science, 6 (3), 287-298, 2015. |