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PG 51 – victoria green
This page presents the Spectroscopic analysis of this pigment.
The pigment has been examined using XRF spectroscopy, Raman spectroscopy, FTIR spectroscopy, and Reflectance Spectroscopy. These complementary techniques provide valuable insights into the pigment’s composition and structure.
This page aims to show which analytical methods are most effective for identifying this pigment in artworks and historical materials. By comparing results across different techniques, it serves as a practical reference for Heritage Science, Conservation, and Pigment Analysis.
Great lightfastness it is always used with extenders and fillers to make it more workable
Manufacturer/ product code: Kremer / 44190
Chemical Description: chromium-based silicate
Color: green
Color Index: PG 51
Date: –
PG 51, commonly known as Victoria Green, is a synthetic organic pigment belonging to the triarylmethane class. Introduced in the late 19th to early 20th century, it was developed as part of the rapid expansion of coal-tar–derived colorants and is closely related to basic green dyes. Victoria Green is characterized by a bright, yellowish-green hue, moderate opacity, and high tinting strength, making it suitable for printing inks, textiles, and industrial applications.
Chemically, PG 51 is derived from triarylmethane structures, often stabilized as an insoluble pigment to improve durability and allow use in paints, coatings, and plastics. Its color is vivid and intense, but like many early organic pigments, it is sensitive to light, heat, and oxidizing agents. Prolonged exposure to strong light can result in fading or color shifts, often toward a paler green or yellowish tone.
In artistic and conservation contexts, PG 51 is an organic pigment and therefore cannot be detected using elemental techniques such as XRF. Identification relies on molecular methods, including Raman spectroscopy, FTIR, or chromatographic analysis. Its presence in an artwork, print, or decorative object indicates a material from the late 19th century onward and reflects the industrialization of pigment production, where synthetic dyes and pigments provided bright, economical alternatives to natural green colorants, such as malachite or verdigris.
Reflectance Spectroscopy (350-950 nm)
Reflectance Spectroscopy (200-1250 nm)
Reflectance Spectroscopy (950-1700 nm)
XRF Spectroscopy
Raman Spectroscopy (532 nm)
FTIR Spectroscopy (non-invasive )
Pigments databases
The Conservation & Art Materials Encyclopedia Online (CAMEO) is a comprehensive, searchable resource providing detailed technical information on materials (pigments), techniques, and tools used in art conservation, preservation, and scientific analysis.
IRUG (Infrared and Raman Users Group) Database
Open-access database of FTIR and Raman spectra for cultural heritage materials. Includes many historical pigments, dyes, and binders.

