This page presents the Spectroscopic analysis of this pigment. The pigment has been examined using XRF spectroscopy, Raman spectroscopy, FTIR spectroscopy, and Reflectance Spectroscopy. These complementary techniques provide valuable insights into the pigment’s composition and structure. This page aims to show which analytical methods are most effective for identifying this pigment in artworks and historical materials. By comparing results across different techniques, it serves as a practical reference for Heritage Science, Conservation, and Pigment Analysis.
Manufacturer/ product code: Kremer / 23493 Chemical Description: disazo condensation Color: red Color Index: PBr 23 Date: —
PBr 23, commonly known as disazo brown, is a synthetic organic pigment belonging to the disazo class, characterized by the presence of two azo (–N=N–) linkages connecting aromatic rings. Introduced in the early 20th century, it was developed as part of the expanding range of industrial organic pigments designed to provide strong, economical alternatives to traditional earth and natural brown pigments. Disazo brown typically presents a warm, reddish- to yellowish-brown hue with high tinting strength and good covering power.
Chemically, PBr 23 is produced by coupling diazotized aromatic amines with suitable coupling components, followed by precipitation to obtain an insoluble pigment. It shows good dispersibility in a variety of binding media, including oil, acrylic, alkyd, and printing ink vehicles. Its chromatic strength makes it particularly useful for darkening mixtures, producing rich shadows, and formulating complex browns and neutral tones in modern palettes.
From a conservation perspective, PBr 23 generally exhibits moderate to good lightfastness, superior to many early organic dyes, though prolonged exposure to intense light can still result in gradual fading or slight hue shifts. It is chemically stable under neutral conditions but may be sensitive to strong acids or alkalis. As an organic pigment, it cannot be detected by elemental techniques such as XRF. Identification therefore relies on molecular analytical methods, including Raman spectroscopy, FTIR, and chromatographic techniques. The presence of disazo brown in an artwork is indicative of 20th-century materials and is particularly relevant for the study of modern paintings, design objects, and commercial prints.
The Conservation & Art Materials Encyclopedia Online (CAMEO) is a comprehensive, searchable resource providing detailed technical information on materials (pigments), techniques, and tools used in art conservation, preservation, and scientific analysis.