Infrared Reflectography (IRR)
Infrared Reflectography (IRR) enables the visualization of underdrawings and pentimenti in paintings. It is typically performed using a scientific camera, such as an InGaAs detector, capable of imaging in the 1000–1700 nm range. In this region of the spectrum, several pigments—including azurite, Prussian blue, and malachite—become increasingly transparent, allowing underlying features to be revealed.
Table of Contents
Experimental setup
The experimental setup for Infrared Reflectography (IRR) requires a scientific camera based on an InGaAs detector, capable of imaging in the 1000–1700 nm range. To effectively illuminate this spectral region, halogen light sources—such as ELIO lamps—are typically used, as they emit a strong and continuous output in the far infrared. The camera is positioned facing the artwork to record the reflected radiation, while uniform illumination is essential to ensure consistent image quality. This configuration enables the visualization of underdrawings and compositional changes that are not accessible with standard near-infrared photography.
Applications of IRR in Art Examination
Infrared (IR) photography and Infrared Reflectography (IRR) are both used in art examination, but they operate in different spectral ranges and provide complementary information. Standard IR photography typically covers the near-infrared region (up to ~1000 nm) and is useful for detecting certain underdrawings and distinguishing materials based on their infrared response. IRR, on the other hand, extends into the longer-wavelength infrared (typically 1000–1700 nm) using specialized cameras, allowing greater penetration through paint layers. As a result, IRR can reveal underdrawings, compositional changes, and features that remain hidden in standard IR images, particularly beneath pigments that are only transparent at longer wavelengths.
InGaAs camera VERSUS Digital Camera
Can the same results be achieved with standard infrared (IR) photography, or does an IRR camera make a significant difference? To address this question, we compare an InGaAs camera—used for Infrared Reflectography (IRR)—with a digital camera modified for infrared photography (IR). While an InGaAs camera is the preferred tool for imaging underdrawings, its advantages, although real, are often limited to specific cases.
It is commonly stated that pigments become significantly more transparent at longer infrared wavelengths, such as those captured by InGaAs cameras. This is true for certain historical pigments, but not universally; in many instances, the increase in transparency is modest or even negligible.
A modified digital camera can typically record radiation up to about 1000–1100 nm, whereas an InGaAs camera extends this range to approximately 1700 nm. However, beyond cost considerations, a key limitation of InGaAs systems is their relatively low spatial resolution. Entry-level detectors often have resolutions around 320 × 256 pixels, producing images that are only a fraction of the size of those captured with high-resolution digital cameras such as the Nikon D850 (8256 × 5504 pixels). Consequently, achieving comparable image detail requires time-consuming mosaicking of numerous IRR frames.
With these limitations in mind, it is important to evaluate the actual benefits of extended infrared imaging in terms of pigment transparency and the visibility of underlying features.
Pigments exhibiting comparable infrared response in IR and IRR
Pigments with different transparency in IR and IRR
Panoramic Infrared Reflectography
Panoramic Infrared Reflectography (PIRR) offers a valid and cost-effective alternative to dedicated infrared reflectography (IRR) scanners. The PIRR method consists of acquiring a series of overlapping images using a precision rotating head, which are then aligned and stitched into a single high-resolution panorama using panoramic imaging software.
One of the key advantages of PIRR is its reliance on consumer panoramic imaging tools, which can be upgraded as technology evolves—unlike dedicated infrared scanners, which are typically closed systems and not easily modified. Modular, self-assembled setups can be adapted to specific needs and incrementally improved with relatively low investment, for example by integrating higher-resolution InGaAs cameras as they become available.
The stitching software is generally user-friendly, and the overall workflow does not require highly specialized personnel or extensive training. For these reasons, PIRR is particularly appealing to small and medium-sized museums, as well as private conservators, who seek an affordable yet professional solution for the documentation and study of their collections.
Free Panoramic IRR Training course
The Panoramic Infrared Reflectography (PIRR) Training module provides technical insight on hardware and software tools for PIRR using our VALERIA Pano Head along with an InGaAs camera.
Infrared Reflectography Fluorescence
Infrared Reflectography Fluorescence (IRRF) is an advanced imaging technique that combines the principles of infrared reflectography and fluorescence imaging. In this method, materials are excited—typically with visible or ultraviolet radiation—and their emitted infrared fluorescence is recorded using an InGaAs camera, sensitive to longer infrared wavelengths. This approach enables the detection and mapping of specific far infrared luminescent materials.
Resources
| Publications on Infrared Reflectography |
|---|
| A. Cosentino “Panoramic infrared Reflectography. Technical Recommendations ” Intl Journal of Conservation Science, 5(1): 51–60, 2014. |
| A. Cosentino “Type II Super Lattice (T2SL) imaging technology for infrared reflectography of polychrome works of art” e-conservation Journal 5, 2016 Available online 15 March 2017. |
| A. Cosentino “CHSOS Application note #7: IRRF – Infrared Reflectography Fluorescence” 2022. |
Learn Technical Photography for Art Examination
Technical Photography is one of the most powerful—and often overlooked—tools for the scientific examination of art and archaeology. If you are a conservator, scientist, or art collector and you are not yet familiar with this method, it is truly a missed opportunity. Using simple, affordable equipment and a clear methodology, Technical Photography allows you to reveal underdrawings, retouchings, material differences, and conservation issues in a completely non-invasive way. Far from being complex or inaccessible, it is an easy entry point into scientific analysis. In many cases, Technical Photography represents the first essential step toward a deeper understanding of artworks and archaeological objects.
Scientific Art Examination – Resources:
Getty Conservation Institute (GCI) – USA
The British Museum – Scientific Research Department – UK
Scientific Research Department – The Metropolitan Museum of Art, New York, USA
C2RMF (Centre de Recherche et de Restauration des Musées de France) – France
Rijksmuseum – Science Department – Netherlands







