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Training Raman Spectroscopy, Brazil, i3A

Raman Spectroscopy for Art examination, pigments, archaeology

We just completed a 2 days training program (Dec 3rd and 4th) in our Studio in Italy on Raman spectroscopy. We introduced and delivered our Raman System ElviRa to Marco Antonio Biazão, CFO of i3A in San Paulo, Brazil. The Instituto de Avaliação e Autenticação de obras de Arte (iA3) deals with art authentication and it is specialized in Brazilian artists and Latin Americans.

Acquiring the spectrum of modern titanium white paint on our test painting.
Focusing on the titanium white paint.
Testing the Raman system on an antiphonary (XVI) to identify its red and blue pigments.
Switching off the camera’s lamp.
Acquiring the spectrum of blue paint.

Do you need these methods also in your Institution?

CHSOS serves an international audience of institutions and art professionals such as conservators, art historians, art appraisers, fine art photographers, and conservation scientists. Its technical innovations and strategies are being adopted by museums and cultural institutions worldwide. CHSOS disseminates this knowledge through the CHSOS website, publications, and training programs.

  • Our Training programs teach practical methods for Art Examination and Documentation. Our modules illustrate imaging and spectroscopy methods regularly used by cultural heritage scientists and conservators for the scientific and forensic investigation of art objects.
  • All the training modules have hands-on activities and students practice with our CHSOS equipment. No need for you to bring any equipment.
  • No specific educational background is necessary. Our courses are designed for a large audience ranging from art professionals to scientists.

We deliver Equipment and Training at your Institution.

See what other professionals did with our service: Training for Institutions

Technical Photography (TP) kit

We offer a complete kit for Technical photography (TP) which includes a full spectrum camera sensitive from the Ultraviolet to the Infrared radiation and the set of necessary filters and lamps. Our TP kit represents a good compromise among quality, adaptability, and costs. It allows to realize a complete set of 8 technical photo documentation methods: VIS (visible photography), UVF (Ultraviolet Fluorescence photography), UVR (Reflected Ultraviolet photography), IR (Infrared photography), IRF (Infrared Fluorescence photography), IRFC (Infrared False Color photography), IRT (Infrared Transmitted photography) and RAK (Raking light photography).


This kit is recommended for art professionals such as conservators, art appraisers, archaeologists, art historians. Use it for a fast and informative examination of easel paintings, wall paintings, manuscripts, and historical documents.

 

Multispectral Imaging (MSI) system

Conservators and art historians need non-invasive methodologies to identify and map pigments on works of art and archaeology. These tools allow them to select appropriate conservation procedures, acquire information on the workshop practices, distinguish original sections from inpaints and to enhance visualization of faded pigments and inks.

Antonello is our simple MSI system composed of 18 bandpass filters and a digital camera, covering the 400-925 nm spectral range. Using a digital camera rather than a monochromatic scientific dedicated camera has the advantage that the same camera can be used for other technical photographic methods, making the overall imaging equipment lighter, compact and affordable.

We developed Antonello to spread the use of this methodology across Art Conservation professionals and institutions. Antonello, our low-cost MSI system for Art and Archaeology uses specifically designed in-scene gray reference targets and it is versatile and adaptable to the specific needs of different art or archaeology examination projects, such as manuscripts, wall paintings, and easel paintings.

We developed Antonello to be: user-friendly, compact and lightweight, easy to understand, tune-up and upgrade.

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