This paper illustrates the method that we’ll use for the “Multispectral Imaging for Art and Archaeology” crowdfunded project.
A. Cosentino “Multispectral Imaging of Pigments with a digital camera and 12 interferential filters” e-Preservation Science, 12, 1-7, 2015.
Abstract: This paper discusses a low-cost multispectral imaging system for the identification of pigments in artworks. It is composed of a full spectrum modified digital camera, a DSLR with the IR cut-off filter removed and sensitivity extended to about 360-1100 nm. A set of 12 interferential filters covering the range 400-805 nm completes the equipment. The system uses on-scene reflectance standards and the raw images are split in the 3 CFA (color filter array) components (RGB). An appropriate set of 12 RGB components was chosen to form the set of 12 spectral images to build up the reflectance imaging cube. This system was tested on a collection of 54 historical and modern pigments and their reflectance spectra were compared with a database of FORS spectra (360-1000 nm) of the reference pigments. The performance of this system was evaluated against a commercial spectral imaging system equipped with the same set of 12 filters, but mounting a conventional monochromatic high-sensitivity CCD. The performance of the digital camera system is comparable to that of the monochromatic CCD camera, but the latter provides more accurate spectra thanks to its higher linearity, especially at the edge of the spectrum and in the condition of low signal. The proposed system is of interest for the art conservation sector because of its low cost and because the same digital camera can be used for other technical photographic methods, reducing the weight and cost of the overall imaging equipment necessary. The proposed method implements a small number of filters and consequently it has limited analytical capacity. It must only be used for an initial mapping of the pigments and this preliminary identification must then be confirmed by elemental or vibrational spectroscopic methods.
This new paper is a valid example of the application of non‐invasive imaging methods (technical photography and multispectral imaging) before and after the conservation treatment of a work of art.
Just published a new paper on low-cost multispectral imaging (for Italian readers). A. Cosentino “Imaging Multispettrale low-cost con filtri interferenziali” Archeomatica, 2, 12-17, 2015. Multispectral imaging systems are used in art examination in order to map and identify pigments and binders as well as retouches. A monochromatic camera (CCD or InGaAs) is combined with an appropriate…
CHSOS launches today its crowdfunding campaign to realize an open source and low-cost multispectral system that anybody will be able to replicate. Conservators are invited to participate and be part of this effort. CLICK here to support Multispectral Imaging for Art and Archaeology We want to develop a simple, affordable but effective multispectral system which…
Just published “Multispectral imaging system using 12 interference filters for mapping pigments” Conservar Património 21, 25-38, 2015. DOWNLOAD PAPER [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”] Multispectral imaging systems are used in art examination in order to map…
Just published “Multispectral Imaging and the Art Expert” Spectroscopy Europe, 27, 2, 2015. Free Download: our latest paper on multispectral imaging for art and archaeology. This work has been possible thanks to PixelTeq which kindly provided the SpectroCam VIS and the filters set. CHSOS is researching into multispectral imaging and has launched the first…
New York Conservation Foundation (NYCF) invited CHSOS in New York and NJ for three eye-opening and empowering presentations on our systems to do Technical Photography and Multispectral Imaging for Art and Archaeology. The Eastern Analytical Symposium, the New York Microscopical Society, and NYCF provided the lecture and workshop venues. November 17 in Somerset, NJ, we delivered a 25 minute…
One Comment
Thanks, Taylor, I thikn it was something missing in our art conservation field. There are plenty of works on the multispectral imaging technique but not much to actually make it open to a wide audience of users. The MSI for Art and Archaeology crowdfunding project aims to publish a method that anybody can replicate.
Thanks, Taylor, I thikn it was something missing in our art conservation field. There are plenty of works on the multispectral imaging technique but not much to actually make it open to a wide audience of users. The MSI for Art and Archaeology crowdfunding project aims to publish a method that anybody can replicate.