This paper illustrates the method that we’ll use for the “Multispectral Imaging for Art and Archaeology” crowdfunded project.
A. Cosentino “Multispectral Imaging of Pigments with a digital camera and 12 interferential filters” e-Preservation Science, 12, 1-7, 2015.
Abstract: This paper discusses a low-cost multispectral imaging system for the identification of pigments in artworks. It is composed of a full spectrum modified digital camera, a DSLR with the IR cut-off filter removed and sensitivity extended to about 360-1100 nm. A set of 12 interferential filters covering the range 400-805 nm completes the equipment. The system uses on-scene reflectance standards and the raw images are split in the 3 CFA (color filter array) components (RGB). An appropriate set of 12 RGB components was chosen to form the set of 12 spectral images to build up the reflectance imaging cube. This system was tested on a collection of 54 historical and modern pigments and their reflectance spectra were compared with a database of FORS spectra (360-1000 nm) of the reference pigments. The performance of this system was evaluated against a commercial spectral imaging system equipped with the same set of 12 filters, but mounting a conventional monochromatic high-sensitivity CCD. The performance of the digital camera system is comparable to that of the monochromatic CCD camera, but the latter provides more accurate spectra thanks to its higher linearity, especially at the edge of the spectrum and in the condition of low signal. The proposed system is of interest for the art conservation sector because of its low cost and because the same digital camera can be used for other technical photographic methods, reducing the weight and cost of the overall imaging equipment necessary. The proposed method implements a small number of filters and consequently it has limited analytical capacity. It must only be used for an initial mapping of the pigments and this preliminary identification must then be confirmed by elemental or vibrational spectroscopic methods.
Just published “Multispectral Imaging and the Art Expert” Spectroscopy Europe, 27, 2, 2015. Free Download: our latest paper on multispectral imaging for art and archaeology. This work has been possible thanks to PixelTeq which kindly provided the SpectroCam VIS and the filters set. CHSOS is researching into multispectral imaging and has launched the first…
Our crowdfunding project just got over funded! We collected 114% funding in 3 weeks! “Multispectral Imaging for Art and Archaeology” is the first crowd funding project related to Art Conservation Science. For the first time, research funding is coming directly from the final users of this new tool for scientific examination of works of art. Multispectral…
Just published “Panoramic, Macro and Micro Multispectral Imaging An Affordable System for Mapping Pigments on Artworks” Journal of Conservation and Museum Studies, 13(1): 6, 1–17, 2015. DOWNLOAD PAPER Multispectral imaging systems are used in art examinations to map and identify pigments, binders and areas of retouching. A monochromatic camera is combined with an appropriate wavelength…
CHSOS is in the Scientific Committee of RECH3, the International Meeting on Retouching of Cultural Heritage. Porto, Portugal on October 23-24 We are presenting a poster: “Crowd funded Research: Low-cost Multispectral Imaging” DOWNLOAD RECH3 is one of the largest educational and scientific events on Retouching field, an ideal venue for conservators and scientists to present research results about…
Our new low-cost Multispectral Imaging system was presented at RECH3, III International meeting on Retouching of cultural heritage, in Porto, Portugal. Read the postprint: A. Cosentino “Crowd funded research: low-cost multispectral imaging” RECH3, International meeting on Retouching of cultural heritage. 2015 This paper introduces the low-cost multispectral imaging (MSI) system for Art and Archaeology…
One Comment
Thanks, Taylor, I thikn it was something missing in our art conservation field. There are plenty of works on the multispectral imaging technique but not much to actually make it open to a wide audience of users. The MSI for Art and Archaeology crowdfunding project aims to publish a method that anybody can replicate.
Thanks, Taylor, I thikn it was something missing in our art conservation field. There are plenty of works on the multispectral imaging technique but not much to actually make it open to a wide audience of users. The MSI for Art and Archaeology crowdfunding project aims to publish a method that anybody can replicate.